How Do I Create a Piece? Start to Finish...

 

“Steampunk Fairy” Colored pencil on Strathmore toned paper.

 

Above is “Steampunk Fairy,” an illustration I created for a show back in September of 2020 with two other local artists, called simply “Steampunk!” Rita Hill, Elsa Bates, and I wanted this show to be larger than life and filled to the brim with imagination.

 

Planning on graph paper.

 

I go back and forth on how I prefer to plan out pieces. It usually depends on both my mood and the mood of the piece. For “Steampunk Fairy,” I first sketched out a tiny version of the idea in my very well worn binder of graph paper. I love graph paper for planning. Something about the very structured format of the paper itself distracts from the artist’s block inducing “blank page” phenomenon. I also prefer drawing ideas with mechanical pencils. I think it helps (me at least) to make the planning process ultra-structured so the actual process of building the piece can really take off into the ether of imagination - kind of like making a kite with painstaking precision so it can fly in the air without a care in the world.

"Steampunk Fairy:" cleaning up the lines

Cleaning up the lines.

 

My next step is to take the planning sketch and transfer it, either via tracing paper (usually taped to our back window for light), transfer paper, or - if the sketch is smaller than the original I want to create - by eyeballing it. Such was the method for this piece! Pictured above is one of my favorite simple tools, a battery powered motorized eraser. I like using this to get rid of pencil lines if I've inked over them.

 

Inking in additional detail.

 

After I got rid of the pencil lines, I thought the drawing looked a little empty. Somehow it was lacking the intricate detail and sort of clockwork complexity I wanted to convey. Maybe I just needed to see part of it in color? I filled in the fairy’s goggles, the part I had been looking forward to the most. It still looked empty. As I mulled over the piece, staring thoughtfully at the golden goggles, I realized I was missing a great opportunity in the fairy’s wings - they were the perfect way for the steampunk theme to shine. I added clusters of cogs and wheels, already knowing as I drew them that they would be the same gold color as the goggles. Then of course I had to ink again!

 

Wings detail.

 

The fairy’s wings quickly became my new favorite part of the drawing. I decided to ink them in brown rather than the black of the rest of the piece.

Choosing the palette.

 

Next it was time to decide on color. I knew I wanted the wings to be gold like the goggles, and the wand should probably match - but what about the rest? I finally chose to keep it simple and stick to a duotone palette. I’ve always loved working in complementary colors, so I went with purple for the remainder of the fairy figure.

 

All filled in!

 

I really enjoyed the pattern of the dress and I had fun playing up the stripes. Next came the skin tones and the details on the face (always my favorite) and, finally, the hair. That was actually my most difficult choice in the whole piece. Should she be blonde? No, that would overshadow the gold touches. Brunette? It didn’t seem dramatic enough. But fully black hair seemed too plain. Then I realized that my fairy’s hairstyle reminded me of the Bride of Frankenstein. Once I saw that resemblance, I decided to play up the stripes in the hair too! After that I added a bit of darker gray to the background on the lower half of the piece, and — boom! All done.

 

“Steampunk Fairy” Colored pencil on Strathmore toned paper.

Come out to my show in August!

You’re invited! This August I will be the featured artist at the Lodi Community Art Center. You may remember my last featured show from May of 2019, where I displayed several vividly colored portraits and figure pieces. This time, I will be displaying both new works and several pieces that have been in my portfolio for some time, but have never been publicly displayed. Among them is one of my favorites, “Illuminate.” You can read more about its history here, but as a brief backstory, it is the first piece I completed after many years of not drawing at all, and I regard it as a sort of guardian of my art - hence its presence on my business cards, website, Facebook page, and basically all platforms where I display, discuss, and promote my work.

 
“Illuminate” Oil pastel on illustration board.
 

Recently I pulled this piece out of its safely stored place, spruced it up a bit, and rephotographed it. The restored image is above. I am very happy to see it a bit brighter, clearer, and at its most magical. This month I will finally get it framed!

 
My August show opens Friday, August 6th; opening reception 5:30-6:30pm. The show will be up through the month.

My August show opens Friday, August 6th; opening reception 5:30-6:30pm. The show will be up through the month.

 

In addition to “Illuminate,” which is over a decade old and has never been publicly displayed, I will also be showing new works done in pen and colored pencil as well as never before displayed works from my portfolio in oil pastel, chalk pastel, and of course, my favorite - colored pencil.

The pieces I’ve selected for this show explore the psyche - what makes us think, feel, and why? What will we find when we dare to be our most introspective? How deep does our consciousness go?

 
Clockwise from top left: “Epiphany” pen and colored pencil; “Eyeris” colored pencil; “Tree Woman” chalk pastel; “Balance” pen and colored pencil.

Clockwise from top left: “Epiphany” pen and colored pencil; “Eyeris” colored pencil; “Tree Woman” chalk pastel; “Balance” pen and colored pencil.

 

Come out to Lodi on August 6th and see the whole show!

Lodi Community Art Center

110 W Pine Street, Downtown Lodi CA